Uncanny

, Surrealism and Graphic Design

Constructed around seven themes, such as the extraordinary, the grotesque and the imaginary, the exhibition examines the surrealistic imagery that has influenced artists and designers, and which still fascinates them to this day. 

Uncanny

In 1919, psychoanalyst Sigmund Freud defined ‘the uncanny' in his essay of the same name as a fear that exists when the familiar suddenly becomes strange and unfamiliar. His analytical model of the human mind with a conscious and subconscious layer forms the basis of surrealism. Although it is primarily known as a movement in visual art, surrealism also infiltrates the world of graphic design.

The exhibition illustrates the profound impact that surrealist ideas and images have had on visual communication since 1930. A multifaceted overview, from posters, record sleeves and vintage book covers to contemporary graphic novels, exposes an alternative tradition in graphic design. The powerful and fascinating imagery is unpredictable and does not conform to a specific grid. What is fundamental to the surrealistic approach to life is a constant search for the ‘marvellous', and an awareness of the unusual aspects of reality. Using themes such as the curiosity cabinet and strange objects of desire, the exhibition takes visitors on a journey along works by artists such as Salvador Dali, Max Ernst, Edward Fella and Karel Teissig. Finally, the ‘dream cinema' theme presents a series of unusual short films made by designers.

Collaboration

The exhibition has been made possible in collaboration with the Moravská Gallery and Barbican Centre, London. The Moravská Gallery presents a richly illustrated publication.